SurveyMonkey

http://www.surveymonkey.com/s/S9DHXSG

Pioner Video.mov

Cut out finally done

3 different Jobs

                                                Director Of Photography

What is the job?DoPs must discover the photographic heart of a screenplay, using a variety of source material including stills photography, painting, other films, etc. They realise the desired look using lighting, framing, camera movement, etc. DoPs collaborate closely with the camera crew (Camera Operator, 1st and 2nd Assistant Camera, Camera Trainee and Grips). During filming, DoPs also work closely with the Gaffer (whose lighting team are key to helping create the required look of the film), the Production Designer, Costume Designer, and the Hair and Make Up Department.

Key Skills include:

Artistic vision
creativity and precise attention to detail;
good colour vision;
ability to give and to accept direction;
excellent communication skills;
diplomacy and tact when working with cast and crew;
knowledge of the requirements of the relevant Health and Safety legislation and procedures.

Training and qualifications

Stills photography provides a good all round understanding of composition and light. The National Film and Television School's MA in Cinematography provides the opportunity to specialise, and is taught by practising DoPs. Although DoPs do not need to have electrical qualifications, they do need to understand the functions of a variety of lighting equipment, and to have thorough knowledge of cameras, lenses and film stocks. They may have previously studied Drama, Stills Photography, or Art, or taken a Film/Media Studies degree, where useful research skills are also developed.

                                                      Camera Operator

What is the job?

Camera Operators usually begin work at the end of pre-production and, if the budget allows, attend the technical recces with other Heads of Department. They work closely with the Director of Photography (DoP), Director and Grip, and are responsible for the 1st Assistant Camera (AC), 2nd Assistant Camera (AC) and the Camera Trainee.

Key Skills include:

a good sense of visual composition, perspective and movement

physical co-ordination and strength

ability to combine creativity with technical skills

precise attention to detail

effective communication skills

ability to collaborate, and to work as part of a team

diplomacy and sensitivity when working with artists and crew

knowledge of the requirements of the relevant Health and Safety legislation and procedures.

Training and qualifications

No specific qualifications are required to work in this role, although film schools and training courses offer a good basic grounding in the skills and knowledge required and in practice many Camera Operators have studied for higher level qualifications. The most useful courses offer practical experience and may also include work experience placements. Relevant courses include City & Guilds courses, BTEC HNC/HNDs, Foundation degrees, first degrees and postgraduate qualifications in media, film and TV production or cinematography. Basic stills photography, which develops visual and composition skills, also provides a useful starting point in training for this role.

                                                        Script Supervisor

What is the job?

Script Supervisors' overall responsibility is to monitor whether it is possible for each shot scene to be edited into a verbally and visually coherent sequence.  During pre–production they check the script for any errors and/or inconsistencies, prepare estimated running times, and break down the script according to production requirements.  They develop story synopses and character breakdowns, and check the shooting schedule to ensure that all the required scenes are shot and adequately covered from all required angles, distances, etc.  They attend recces and pre–production meetings to feedback any identified issues, and during rehearsals they record detailed timings which inform the shooting schedule.  They work closely with Directors to anticipate and solve any potential problems.



Key Skills include:

A meticulous and methodical attention to detail

A good sense of visual composition, perspective and movement

Ability to collaborate, and to work as part of a team

Diplomacy and sensitivity when working with artists and crew

Ability to trouble shoot and respond quickly to changing circumstances

Good organisational skills

Ability to be amiable and calm in difficult situations

A practical approach to work

Knowledge of the requirements of the relevant Health and Safety legislation and procedures

Training and qualifications

Although no formal qualifications are required to become a Script Supervisor, some film schools and training courses offer a good basic grounding in the skills and knowledge required.  The National Film and Television School offers an industry recognised 6 day short course for Script Supervisors.  Knowledge of the theory and grammar of filmmaking and, in particular, of editing, is essential in order to understand the craft of constructing scenes out of individual shots. Relevant industry experience is essential.  A full driving licence is useful.


Individual course accreditation in certain subject areas is currently being piloted. As part of Skillset's and the UK Film Council's Film Skills Strategy, A Bigger Future, a network of Screen Academies and a Film Business Academy have been approved as centres of excellence in education and training for film.

Green Screen

CV

Fatlume Sadiku

4 Nicoll Place

Hendon

London

NW4 3PD

Contact number: 07943671799        Email: s.fatlume@hotmail.co.uk

Personal Profile/Career Aim

I am a hardworking and dependable person with a good eye for detail. I’m able to work well, both independently and as part of a team. I am an extremely energetic, enthusiastic and self motivated individual.

Education & Qualifications: City of Westminster College 2011 To present

English,Maths,RE,Media,Interest,Science

Work Experience: Connexions at Harrow

I have worked at Regis Hair Dressing Salon. I was an Assistant. I had to welcome people into the salon and ask them if they wanted tea of coffee. I had to photocopy and put stuff in order. Before the salon would open I had to make sure that everything was clean and tidy.

Date: 21st June-25th June

Skills and Personal Qualities

·       Hard working and reliable

·       Good attendance record

·       Cheerful and work well with others

·       Willing to train and gain further qualifications

·       Excellent organizational skills

·       Honest and trustworthy

Interests: Photography&Media

References: Available on request

Plesentville effects

Preparing To Edit

To find your work that you want to import, you have to go on-> File,Import,Folder. Afterwards a folder will come up and were ever you have saved your work you have to find it and click OK.

If you are starting a new project you have to go on File->New Project and then a folder will come up so all you have do is find your work, However always make sure that you save you work in a place that you could find it.

While you editing you have a lot of audio,pictures etc which can always be confusing, however with Final Cut Pro you can always create a little folder for example you can make a folder with ''AUDIO or EFFECTS'' and much more. You just right click and click on New Bin then you can name it whatever suites you.

                       

     If you are worried about if anythink is not right or isnt working dont be because on final cut pro you can always check. e.g. Click audio, click the audio you wanna check, then if its ticked that means its working and everything if fine.

Claymation

Claymation is one of many forms of stop motion animation. Everything that is animated e.g character or background is ''deformable'' is usually made from Plasticine clay. Animation from all around the world is produced in a similar fashion, whether done through cel animation or stop motion. Each from, or still picture that is recorded on film or digital media and then played back in rapid succession. When they play it back at a frame rate greater than 10-12 frames per second, a fairly cononvincing illusion of continuous motion is achieved.


Claymation is always fun and enjoyable if you do it the right way. For you to do it the right way you need to have some clay to make into the shape you want. Its always better to work with a partner because it always makes it easier.
For this task we had make a Morph, which was really fun but hard at the same time because the clay was really hard to put into shape so we had to wait until it melted. As I was creating my Morph it was mostly hard to make the hands and the legs because if they wasn't in the right shape they Morph wouldn't stand.
We had to create a little scene, which I found really cool because I have never done something like this before The scene was about anti-bullying. It just basically shows how people get bullied on the street and what it can course. We used Icon on a Mac computer to create the movements of the clay moulds and we also edited it on FINAL CUT PRO. With FINAL CUT PRO you can add Effects,audio and a lot more just that whatever you are creating will come out perfect.

CWC IDENT

              City Of Westminster Channel Ident Evalution


For are task we had to make a channel ident for City Of Westminster College.
Firstly, we had to get into groups of three. In are groups we had to come up with 4 ideas and put are ideas in mind maps.
At first we found it kinda hard to come up with ideas because we was always thinking how could we make it work however, at the end we shared are ideas and put them together which worked out really well because we had four ideas that where really good and we knew that we can create each of them.


After we decided which idea we was gonna do, we had to make a video pitch of the overall concept. We did find it abet difficult to choose one idea because we really like all of them. We choose idea One because we thought it would be more creative and it would also attract the audience more. The idea was at the start of advert a book would come with the City Of Westminster College building then the pages would flick with different pictures and next to the pictures you would see information about the college at the end of the Ident everything plays back very fast. We used Cut-out Animation and we used Claymation. We went around the college taking different pictures of differemt aparments around. In the Ident we used a little man that we made out of Clay he basically guided the whole Ident.


We got feedback from a few people that watched it, the feedback we got was really good. People said that it was very creative and the music went really well and also the little clay man was a good idea. However in my opinion I think that next time we could do a better finishing and we could also try and get rid of the shadows. As a group we managed to fulfill all the aspects of the brief because the Ident is 35 seconds long. It showed why City Of Westminster could change there future and why it would be best for them which for us as a group was the main part because its important that if your doing and Ident about Welcoming people to a place its important that you always show and say ''why would that place be the best for them''.
We also used the original logo of City Of Westminster College.


Overall, I am mostly proud of that we worked really well and stock together as a group. I really enjoyed this project because we could share are ideas with a lot of people. I enjoyed going around the college taking pictures and also making the little clay man, However I mostly enjoyed that part when we was putting the Ident together because it was getting better step by step.

Eadweard Muybridge

Eadwaerd Jame Muybridge was a British Photographer who was born on the 9th of April 1830 in Kingston upon Thames.Eadweard spent most of his life working in California and also traveling in other parts of the United states. He is mostly know for his pioneering work onanimal locomotion in 1877 and 1878 which used multiple cameras to caputer motion in stop-action photographs and his zoopraxiscope. 


Muybridge had become know for his landscape photography in his earlier years in San Fracisco. He traveled for more than a year in Central America on a photographic expedition in 1875I-880s, Muybridge entered a very productive period at the University of Pennsylvania in Philadelphi producing over 100,000 images of animals and humans in motion, capturing what the human eye could not distinguish as separate movements.